Here we go. I’m relunctantly behind the eight ball, or more likely the 5-Ball in this case. The bike is nearly complete and I haven't caught up with the articles. For the most part I was working at Primedia on the bike mags and didn’t have time to breath. No fucking lame excuses. Let’s hit it.

My original plan called for brass sculptures to hang this bastard together in a purely Bandit way. I messed with some odd heavy brass cloverleaf rod that was over a ½ inch in diameter. I wasn’t having my usual creative luck with bending or messing with this material. Kent from Lucky Devil Metal Works in Houston recommended that I use silicone Bronze rod and I’ve since messed with it. I shifted gears from Gargoyles and sculptures to pure mechanics. I started drilling holes is everything.

I discovered a piece of ½-inch wide strap that I thought was copper. Remember that the notion behind this mess is to use as much bare metal as possible. As it turned out the strap was brass so I gave it the Scotch Brite treatment and went to work. Before I made or positioned the rear Custom Chrome chain I needed to align the wheel, the transmission and the engine. I used my BDL inner primary and pulled the loose engine and tranny into position. Then I centered my chain axle adjuster and installed the chain using the CCI instructions (above). I have an old chain breaking tool, so I took out just enough links.

With the chain in place, aligned and adjusted the wheel using the Doherty wheel spacer kit (a life saver). I couldn't mess with the requisite chain guard until all was in the correct groove. Although the Paughco custom frame is designed for a belt, I choose the old school route and it worked out well. Lots of extra space to mess with.

I dug through my drawers of tabs and crap that I’ve had around for 25 years. In the old days Mil Blair would call me from Jammer from time to time and tell me when it was time to shit-can scrap iron. I picked up tabs, spacers and brackets by the fist full and I’ve been moving them from place to place ever since. But damn, when you need a tab it’s bitchin to find just the right size in a drawer. Since I was going nuts with the drilling treatment, I matched the work on the frame with holes in the chain guard and counter sunk the edges for a more rounded look.

I also hit the top motor mount with a similar treatment. To give it a bit of consistency I measured from center to center on the holes and made all the holes the same diameter, 1/4-inch.

The hole deal became an obsession. I started drilling ¼-inch holes in everything including the Joker machine foot controls. I also went after Russell Mitchell’s Scotch Brite code. I swallowed hard and rubbed a piece of chrome with the coarse material and discovered that chrome reflects everything until it’s brushed with the wiry fabric. It gave it a raw material appearance and I decided that it was cool but a pain in the ass to do.

Again, I drilled the holes the same space apart, ¾ of an inch. It’s not always that easy, though. Sometimes the formula just doesn’t work. I use a pair of calipers to hold and mark the distance from hole center to center. If a hole ends up being located too close to an edge of the material, I back off and try another formula. Make sure to plan before you start drilling.

Here’s that damn brass stock. I was determined to have Brass, Copper, Stainless, Aluminum and a bare metal effect on the frame. You’ll see shortly how it worked out. I couldn’t bend that brass shit without destroying it, so I made the shift linkage out of it. I cut it off on a bench lathe and drilled and tapped the ends to 5/16 fine threads to fit the fine thread heim joints. Then I drilled the rod and countersunk the holes to remove the sharp edge.

Here’s one of the Joker Machine control sets, rubbed with Scotch Brite and drilled. They make fine controls, some of the best. You can adjust these puppies anyway you choose to fit your riding position, inseam or foot angle.

Before I leave this chapter I’ll touch on this new petcock from Spyke. It’s incredible, if it works well. It’s designed to give you every option for positioning and spigot direction. I ran into only one problem. No wrench lands to help tighten the bastard.

Check it out. You can run it faced in any direction and still read the switch locations and turn the knob without a lever smacking the frame and components. The spigot set allows builders to face the gas line in any direction.

I used the straight spigot and took off one of the fittings because my tank threads are female. The only problem I had was tightening it down, but I’ll get to that after the powder coating returns from Foremost Powder in Gardenia, California.

This puppy will revolutionize the industry for petcocks, if it works. I’ll let you know in a week or two.

Ride Forever,

–Bandit

---

The lovely Lena Fairless, who has threatened to marry Bandit (the sixth Mrs. Ball) and make him work for her folks at the Easyriders Dallas store, has been pushing to see that this 1928 Shovelhead project is completed in time for her wedding plans. Bandit doesn’t seem to move unless there’s a motorcycle and a woman involved. There’s just one problem in this case, which Lena is well aware of, she’s under age…

The other news on this project is that we now have a corporate sponsor, Ed Martin of Chrome Specialties, and a mentor, Chica, who builds bikes in Newport Beach, Calif. Chica built “Trick,” the old-time Sportster that Chrome Specialties is displaying at all the events it attends, such as Laughlin this month. Randy Simpson from Milwaukee Iron and Arlen Ness are also building spindly retro scoots with late-model drivelines. I spoke to Arlen the other day and he told me that a number of top builders in the country are building this style of beast for upcoming shows. Arlen is now building Sportster frames, sidecar frames and the tubs for these units. He’s sold 10 sets. Don Hotop is building aluminum tanks, so soon the parts for building these retro bikes will be even more available.

The contact stateside for the European parts we used is Fred Lange at (805) 937-4972. He has access to seats, fenders, front ends, tanks, headlights and more. Let’s see if we can pick up where we left off.

 

The frame is a stock rigid Panhead configuration from Paughco, with a stock, late-model Bad Boy front end. To drop the front slightly, Jim Stultz, Rick’s main fabricator/bike builder, used a KT components lowering kit to make the frame level because the newer springers are XA length. The retro tanks are sweat-brazed together and contain the oil in one half and the gas in the other. Unfortunately, the tanks did not fit the frame at all and had to be disassembled, cut and re-welded to fit. The fun part of such a round-the-town project is that it can be a true swap meet special once you have the basics in hand, and you can slip as far back into the retro world as you want. You can roll with chain or belt. You can use any old brakes you have around. Rick chose to use disc brakes and a chain, but he’s going with a jockey shift and internal throttle assembly from Chrome Specialties. The charging system will be state-of-the-art Compu-fire and the carburetor S&S. The engine and transmission were rebuilt from the ground up by JIMS machine and the engine cases are STD.

Both wheels are 21s for that spindly look. The handlebars were designed by Jim and bent by Milwaukee Iron. With the internal throttle cables, there will be a minimum of controls on the handlebars. Since the transmission was rebuilt with the notion that it would be electric start, an aluminum inner primary will be used with an old-time-looking tin outer primary that Rick picked up at a swap meet. Rick ordered a narrow Karata belt drive for the primary.

 

Jim sliced all the mounts off the frame except the front footpeg mounts, the engine and tranny mounts. Since the oil tank is part of the gas tanks, the only additional container would be for a battery to conceal a car-type marine ignition switch and a light/toggle switch.

“I try to fabricate components to be user friendly,” Jim said. He designed the battery box so it would only take two bolts out of the seat post and two out of the rear section and the whole pan will lift out through the top. The two sides covering the battery will meet in the middle in a flying wedge configuration, and Jim plans to build a top cap to conceal the battery from the area under the seat.

 

The steel gas tanks, once cleansed of the brass, were chopped and channeled to clear the rear head. The entire center of the tanks was removed to fit over the frame. Unfortunately that reduced the gas capacity to 1.5 gallons. The European threads in the cap bungs were tapped out of sync, so they had to be re-machined.

Lena teases Bandit with occasional shots from her mother’s digital camera. Next week we’ll discuss the mounting and installation of the Compu-fire ignition. Some members of the staff will be happy to see Bandit go to Texas, others, mostly the women, are bummed. He even called to see if he could ride it back to the coast and was told that it didn’t carry enough gas to get him out of town. Evidently the tank is Lena’s design.

–Wrench

Here's an update on the Shovelhead. I picked up the engine from Phil's Speed Shop in Anaheim. He rebuilt the battered heads and lifter stools, installed new JIMS lifters, S&S roller rockers and CCI Black Diamond Valves. He welded and repaired cracks and exhaust manifold threads. Old used Shovelheads can be fragile.

I installed studs with a mixture of liquid metal and red Loctite. I don't like screwing anything steel in and out of aluminum. It wears on the threads and stresses the weaker material. Besides, from the extreme heat expansion and contraction the threads always feel loose. So I packed 'em with liquid metal to tighten the fit and added the red Loctite to keep them from coming loose. We'll see.

I dug through my junk drawers and discovered another top motormount stud. I treated it the same as the exhaust manifold studs for a tight lasting fit, I hope. I've decided to fab shotgun pipes. The front out the left and the rear out the right and attempt to keep the lengths the same. I would like to work in some shorty mufflers for performance and sound reduction, but a couple of fish-tips caught my eye that sultry morning.

I tinkered with the studs while Layla headed to Home Depot to grab some stainless steel bolts, that I could polish, and use for the motormounts. She was going to call me from the Fastener bin. I didn't hear from here for a half-hour so I dialed her number. She forgot and was rolling up to the Bikernet gate. So I dug around through drawers to find usable bolts for the time being. That's why the spacers show up on the rear mount–it's temporary.

Rear motormount bolted into place first, for front motormount adjustment.

This one shows the gap with the rear mounts bolted down.

The old code called for bolting the rear motor mounts down first, so that if any spacing was needed to the front, it would show up. It did and I found a piece of almost 1/16-inch aluminum plate that fit perfectly. I cut it, drilled, polished the edges and slipped it into place. We'll see if it works with the BDL inner primary belt drive plate.

Ain't she sweet?

That caused another dilemma to surface. The engine is a late '70s Shovel with a early electric start, JIMS four-speed transmission case and plate. According to Kent at Lucky Devil, there's another variable lurking. I'm still having a problem finding the correct chain sprocket. As you can see this CCI job is meant for even earlier transmissions. Then I need a BDL system that will fit the engine, transmission and line up. Hold on for that one.

What hit the American Motorcycle industry like straight pipes and tire sizzling burn-outs, at 4 in the morning? Television, in the form of Motorcycle Mania one and two. The introduction of chopper building skills and rebel attitude, unleashed broadband, to citizens all over the country, rocked the biker world. Then chopper heaven in the form of Biker Build-offs struck with round two. Who was responsible for this Tsunami boon to our lifestyle? It was Hugh King, the producer/director/writer and editor at large of Original Productions.

Hugh felt the crisp freedom and wild wanton wickedness of the chopper industry in 1947 as a Milwaukee youngster, with his nose pressed against his living room window. An older neighborhood wildman, Billy Brody, screamed down the street on a bobbed ’46 Indian Chief. He tore across his folk’s lawn and slid to a stop on the front porch ignoring the driveway and garage alongside the house. That scene, on the Oak shrouded street, was emblazoned in Hugh’s expanding creative mind for years to come. In fact he added a wild black and white scene of a biker burning into a bar, to his documentary resume while living off grants and making social action films.

In 1989 he hauled ass to California and scrambled for a position cutting Easyriders Home Videos.

Through the reams of vast, rough-shot, motorcycle footage he learned the Harley biker industry, from event coverage, to land speed record attempts. Hired by Original Productions he produced reality shows. Then one fateful day, while warm California rays graced his small Original Productions, office, Tom Beers, his boss, wandered in.

“Discovery Channel called,” he said. “They want a feature on the custom motorcycle industry. You’ve experienced the motorcycle world. It’s your assignment.” Since the offices were located in Burbank, California, Hugh investigated valley shops and called motorcycle mag editors. A mystery connection was made, and an old crocked finger pointed toward West Coast Choppers. “And the rest is history,” Hugh said.

“Discovery didn’t billboard the first Motorcycle Mania episode,” Hugh said. “They only mentioned it one-half hour before it aired, but by act 4 they knew we had hit a home run.”

By Motorcycle Mania two, Jesse became a star. “Viewers wanted to talk to him,” Hugh said of growing audience. “We filmed it for the average Joe and sensed immediately that people wanted to reach out and touch tools. There was a deep longing for the ability to make something out of nothing.”

Jesse smacked a cord in young American viewers with a ballpeen hammer against a flat sheet of aluminum. Fans witnessed pure raw alloy shaped into sleek gas tanks. “The footage of metal being annealed was graphically inspiring,” Hugh said. At that stage he was the producer, director, writer and editor (Tom Beers was the executive producer).

Discovery was rocked and wanted more, so Hugh directed the first four Monster Garage segments, then kicked off the Build-Off series.

“We shot Borget versus Billy Lane and Discovery ordered three more,” Hugh said. “It was another grand slam.”

Life kicked into high gear for Hugh and again Original Productions was approached by Discovery Channel to make Motorcycle Mania III or “Jesse James Rides Again” starring Jesse James and featuring his buddy, Kid Rock. Jesse worked with wheelwright, Fay Butler, in Massachusetts to learn the intricacies of copper fabricating. Fay manipulates old yoders like an artist’s brush shaping copper. Yoders were used in WWII to fashion sheets of metal for fighter fuselages and wings. Jesse and Fay worked together to shape the copper chopper gas tank.

The MMIII film endeavor raised the bar for Hugh. “I had the opportunity to work with high def film and top quality camera equipment,” he said. “We got to use the highest standard automobile commercial equipment like a Shot Maker and Chapman cranes for dramatic rolling angles.” His life hit overdrive as he filmed the building of the Copper Chopper for Jesse, American Bad Ass Chopper for Kid Rock, and they hit it to Mexico. “Nothing went according to plan,” Hugh said. “We changed the itinerary constantly. The people of Mexico were terrific as we shot from El Paso, Texas and Juarez, Mexico, in 125 degrees, through 350 miles due south to Chihuahua.”

Hugh filmed spectacular footage of the two riders passing smoldering sand dunes, sweeping vistas and lumbering Iguanas crossing the rugged roads toward Copper Canyon.

“We suspected trouble from Federales,” Hugh said, “but Jesse and the Kid befriended the law. They stood alongside the smoldering highway and blasted sand dunes with the cops’ weapons.”

Having the time of their lives they rode south to Chihuahua, a growing city, and searched through the old market place. Riding west they climbed 6,000 feet to Copper Canyon, in the middle of the Sierra Madres, which is six times longer than the Grand Canyon. They slept in a small village on the lip of the gorge, in a town of 65.

Jesse and the Kid accomplished their goal of escaping fame and fortune as they continued West toward the coast over torturous curved roads through blinding lightening storms and over a territory where the only vocation is hijacking. “We slept in the camera van,” Hugh said, “since there was no place to stay, until we reached the white sand beach on the Sea of Cortez. It was a transcendental experience.”

Motorcycle Mania III will experience limited theatrical release later this year, followed by Discovery Channel airing. Hugh has a year and a half invested in the film while directing Biker Build-offs with Billy Lane, Dave Perewitz, Roger Borget, Paul Yaffe, Indian Larry and currently with Yank Young, Chica, Eddie Trotta, Russ Mitchell, Arlen and Cory Ness. “Choppers have turned my life upside down,” Hugh said. Although the family man doesn’t own a bike, he rides constantly. “I’ll jump anything the builders let me straddle,” Hugh said. You can see the motorcycle mania fever boiling in his gaze.

What’s the future hold for Hugh King? The Biker Build Off series is rockin’ through another chrome and flamed season and even hotter segments are headed for next year. “We kicked off the series with Billy Lane and Roger Borget,” Hugh said. “Initially it was intended as an elimination competition, but no builder can manufacture one ass-kickin’ bike after another, every 30 days. We currently pick builders by regions and diverse styles.” In 2005 he hopes to throw a massive live finale in Las Vegas and take the bike voting interactive.

At 65, Hugh ramped into an all-time high with custom bikes. He’s riding it for all it’s worth and the entire industry benefits.

HUGH KING SIDEBAR:

THE LAUGHLIN BUILD-OFF– On April 20th ten of the world’s greatest bike builders thundered into Laughlin, Nevada. For 72 hours in a secret desert shop they worked non stop to create BBO X, a one-off 124 cubic inch, rigid, right side drive, black and chrome, spear-like chopper. Then they presented it to Hugh King, producer of Discovery’s Great Biker Build Off. The geniuses who came together to make this awesome steed were Arlen Ness, Cory Ness, Russell Mitchell, Eddie Trotta, Mitch Bergeron, Kendall Johnson, Matt Hotch, Joe Martin, Chica and Hank Young.

Chica hand fabricated the gas tank. Hank Young made the oil tank. Kendall Johnson was responsible for assembling and tweaking the 124 cc. S&S motor and the Baker 6 speed transmission, Mitch Bergeron was responsible for the frame and the billet down tube (in which was cut in the Roman Numeral X and the Discovery planet), Matt Hotch fabricated the fenders, Joe Martin built the pipes and did the pin striping, Russell Mitchell and Eddie Trotta built the front end and Arlen Ness and Cory Ness were responsible for the paint and the overall supervision of the project.

A special guest appearance was made by legendary seat maker, Danny Gray who fabricated a black leather seat with a zebra stripped manta ray inset.

On Saturday night, April 24th, before thousands at the Laughlin River Run, BBO X was unveiled and formally presented to Hugh King.

Each of the ten builders had competed in Bike Build Off before. Their ten bikes were on display at the Discovery both where the people voted on which motorcycle they thought was best in show.

Matt Hotch’s low slung, blue beach cruiser took the prize. Watch every Monday night for a new Build-Off on Discovery.

Life is nuts, or is it just me? Fortunately, we have motorcycles and women to chase. And this year became the year of the Evo, the FXR, and the mudflap girl. I’m scratching the back of my head and wondering how to kick off this build for 2011. There’s a lot on the plate this year and it’s a tad difficult to explain. First, I must fess up. I’m turning 63 this year and no more riding rigids to Sturgis, or even chasing young broads. Ah, but the adventure continues. It’s actually a blessing not to be hassled with women troubles. I’ll let my son, who just turned 37, deal with the addiction to soft curves. I’ll hide out and watch…

The solution for my missing long distance rider was an FXR, and I have one, the John Reed V-Bike that I took to Bonneville in 2006 and set a 141-mph record with a top speed over 150. Unfortunately, I have a hip problem and can’t ride mid-control bikes anymore. I even modified that puppy, but that didn’t do the trick. I love that bike. So, what the fuck was I going to do?

Okay, so I started to piece this bike together. We factory re-manufactured a ’98 Evo engine and JIMS rebuilt the transmission into a six-speed. I had a couple of Renegade Wheels and Progressive Suspension shocks. Then I had a conversation with Kenny Boyce, the man who designed the Pro-street FXR frame. He wasn’t happy with now-defunct Quantum. I also found out that some of these frames break in front of the seat area at the backbone. The project was moving forward with a Custom Chrome, super-wide, upside down front end, Aeromach risers, and we added super wide, Burly bar highbars.

I even had an aluminum mudflap girl oil tank I ordered from Nick at New York Choppers. The bike was leaning toward a pro street touring model with a set of Redneck Softail fiberglass saddlebags and a Klockwerks touring bike rear fender.

I was rolling when Kim Hottinger called and asked if I could haul my old ass out to the American Built/Spitfire manufacturing facility in Rancho Cucamonga, California. Paul Cavallo was the engineer/manufacturing guru behind Hellbound steel. As we watched the production chopper industry dry up, in the wake of a floundering economy, only the diehard survived, and I wanted to support anyone who understood the code of the west.

The brothers who love motorcycles, choppers, bobbers, and custom parts continued to jump up every morning and do what they adore, work on motorcycles. Some went from building hundreds of bikes every month to a handful, but they kept building. Paul downsized and kept rolling with his father at his side. When I saw what he was up to, I was inspired. He can build any frame, for any motorcycle configuration, so my mind went wild. We could build a Frisco’d and stretched, single-loop FXR, and I dragged an old Durfee girder out to his facility so Paul could see how the master built the originals. Imagine an FXR with a state-of-the-art girder.

Paul is a wild man when it comes to building and manufacturing anything. He re-engineered the girder and refined the looks, and added two shock mounts to incorporate a state-of-the-art front suspension. Over the next year, you’re going to witness Paul’s Spitfire abilities with features in several national magazines, and you’ll begin to see his products pop up in Custom Chrome catalogs.

The more we moved forward with this bike, the more inspired I became. This was a bike for me, maybe the bike for my old-guy riding future, now that my Road King was down the road. So I went to Paul with the deal of the century: build two of these frames and front ends. I spoke to Paul, then to my son.

There had to be a goal behind this effort. We would ride to Sturgis together. Shit started to happen fast and I ran into a TV producer who wanted to follow the build, and Leomark studios got involved.

 Next, I reached out to Chris Kallas and we started to work up a concept drawing. Here’s some of the e-mail that flew back and forth.

Here’s my initial description:

Frank’s bike: classic black mag wheels from Metalsport. Klock Werks rear dresser fender on Frank’s, might bob it. Both wheels will be mild width. Mudflap girl theme on my bike and Hardball tattoo on Frank’s. Paint reversed from Frank’s bike to mine. Forward controls on my ride, Frank’s will run mid controls. Rubber pegs, grips. dog bone-style tall rubber mount risers. Shotgun pipes. One Redneck bag on the left of Frank’s bike. We also talked about a small front fender.

–Bandit

Some questions?
Black and chrome or silver Evo engine?
Your wheels? Mag or spokes, what kind?
Style/brand of headlight, tail light?
The risers are the type with rubber mount at top?
Carb/aircleaner?
Shot gun pipes, staight, no mufflers?
Style of seat?
Your fender the same not bobbed?
Brakes? Dual or single up front? What brand of rotor/caliper?
If any of these things aren’t specific yet, they could be semi generic on art.

If you can send any photos or links to of fenders, wheels, bags, brakes or controls, it would be helpful.

As for paint, just a thought.

It looks good with lots of black or aluminum, and chrome.
It also looks good with your signature orange accents or striping. Since I’m not crazy for white frames, they could both have blue frames and just flop the two-tone paint on the tanks and fenders.

— CK

Here’s the basic FXR platform showing the frame modifications.
This is with a 3″ extended swing arm.
I need to go back and recheck some measurements but it will give you a
rough idea of the stretch up front.
Is this the type of exhaust setup you were thinking of?
When you said shotgun and 2-into-1, I wasn’t sure.
— Chris K.

I think we should go with this type of exhaust, if we plan to pack passengers. I’m going to ask Dar about that swingarm, but my tendency is to extend it about 1.5 inches, not 3. The stretch looks great. Let’s fuck with those fender rails, arch them, or make them disappear and bob the fender slightly. Plus I think we will need to lower the rear at least an inch, with shorter shocks.

–Bandit

Hey, here’s my first crack at putting it all together. Overall the stance looks good. Since it’s a rough draft without much decoration, I just threw a couple
of mud flap girls on it. I thought I’d try a traditional Sportster/FX headlight with it’s rubber- mounted bulb to stay with the theme of using rubber pegs, grips, and
rubber mounted-risers…. not to mention a rubber-mounted engine, plus I like them.

The frame tube behind the shocks creates a challenge for curved fender struts. I’ve included a couple of photos of some frames so you can check out that area, plus for general interest I tried mounting the tank higher (Frisco style) but thought this looked better.
You might use a semi-later model Sporty tank (when they first started making them larger but still had a carb).
I don’t know at what angle or how Spitfire plans to deal with the secondary neck brace under the tank, so just drew it how I thought it might go.

When you said a Fantasy in Iron tear drop air cleaner I took that to mean a plain Goodson (no rib), for engraving. (We now have a Roger Goldammer air cleaner for Frank’s bike)
Since you need to run a front fender, I made it small. I like when they show most of the top of the tire.

Questions:
Who’s handlebar and foot controls do you plan on using?
How about brake calipers?

–CK

Hey, Chris,

I feel like I want more attitude. How about the tank mounted in line with the bottom of the top bar and stretched a tad at the back to more of a point? Take out the stress bar and add a gusset there with a mudflap girl cut out.
Check the news. I ran a shot of the air cleaner, but you nailed it. Did you check out the heavy green flake and silver bike? I like that theme. My bike will have a plain engine. I thought that style worked well with the plain silver, driveline. And I liked the green springer to match the frame.

We don’t need to go with green. It could be almost anything and silver, then reversed for Franks, with a silver frame, and colored sheet metal.

–Bandit

If the Redneck bags wouldn’t fit, we looked at what Bob T. runs on his fantastic RT.

Part number for bags:
’87-90 FXRS conv bags
H-D 90702-89 left
90703-89

As you can see we are flying at this effort. Don’t miss the frame build in the next segment. As it turns out Frank and I will be running the same drivelines: JIMS six-speed transmissions and Harley-Davidson Evo engines.

Sources:

Illustration by Tim Conder.

I'm attempting to build the ultimate handling chopper. It's not designed to be a show winning, bitchin looking, artistic masterpiece. I'm going another direction, attempting to build a righteous, old school, performance, handling, and reliable machine. No, it's not a Martin Bros job, and from an artistic standpoint I believe they are the ultimate builders. I want it to fit me, handle like a dream and last forever. We'll see.

Inside the Paughco powder coated springer rocker.

This bike might look like shit, but it should work perfectly. I'm endeavoring to keep it light, tight, narrow and right. So far so good. We've even decided to eliminate paint from the equation, except for rusty metal that may need black powder coating from Custom Powder Coating in Dallas, and the front end was powder coated black at the Paughco factory.

We tried to find the smallest, strangest, most effective Custom Chrome headlight available.

Let's jump into the shop. I was jazzed to receive my Rev Tech wheel order from Custom Chrome. I needed to mock up the frame and ship an image to Tim Conder for a concept drawing. Conder's images inspire any builder. I couldn't move on it until the Custom Chrome wheels were delivered and mated to the Avon Venom tyres. I'm also going to avoid chrome and flashy stuff as much as possible. We're running bare metal in several instances: Wheel rims, aluminum tank, brass fender rails and linkage, copper hard oil lines, and thick wall copper tubing bars. Dig this, we're going to galvanize the frame, rear fender and oil bag. The XR Sportster racing tank which is aluminum was delivered from Cyril Huze. I'm going to leave it brushed aluminum, but the capacity was a minimum 1.75 gallons. I'm mounting it high on the frame so we'll open the tunnel for additional fuel capacity and weld the area shut.

I'm jumping around. Let's get back to the Rev Tech wheels. The spokes are stainless with polished aluminum rims for a long lasting approach. Even the Paughco frame came with brushed aluminum axle plates. We're going to leave 'em alone. Cyril Huze designed a new, between the heads, coil and ignition switch mount. I ordered one without polish or chrome. It's unfortunate that we can't get wheels with Stainless hubs and eliminate chrome all together. The front is a 21 with a 18 by 5-inch rear for a 180 Avon Venom. I don't want a super wide tire. I'm specifically avoiding wide tires. I think they make choppers look like fat-assed chicks. They lose their chopper code of agility and lightness.

This is the springer axle and spacers available from Paughco.

With my Doherty wheel spacer kit I was able to set up wheel spacing quick, for the time being. It's a trick working in the shop by myself and I will try to explain some operations from that perspective. We all face shop blues from time to time. Makes me kick back and rethink various operations when six hands are needed and I'm limited to one on the part and one on the arm of the drill press.

Custom Cycle Engineering risers in place with studs.

So alone one night I grappled with the installation of the CCI neck bearings (I need a JIMS tool for the races), to install the Paughco springer front end. After a trip to a local fastener store I was able to weave two studs into the rear legs of the front end for traditional, vibration dampening Custom Cycle Engineering risers. The studs needed were 1/2 inch about 2.5 inches long with 1/2-20 threads on one end and 1/2-13 on the riser end. The shop only had two different-length studs and one needed additional tapping to fit.

Here's the CCE risers with 1-inch longer, tank clearing, stems . I don't throw away a goddamn thing. I had these laying around from another bike project. Worked perfectly. I'll black powder them before it's all done.

I use these risers on most of my bikes because of the traditional, old school appearance and the vibration element for long runs, but they take a degree of thinking since they shove the bars toward the rider (and often the tank) about 2 inches. I needed to watch for the appropriate amount of tank clearance and ultimately needed the 1-inch longer stems. Very high bars can be a problem with the leverage against the flexible rubber, but with patience, they will work fine. Since each riser is a single unit, they will flex and pivot until they're aligned and tightened down.

I installed low rise drag bars from Custom Chrome/Khrome Works. I'll see how they fit as the seat is mounted. I ordered a seat at a swapmeet this weekend, black with brass buttons by West Eagle. My plan is to bend thick-walled copper tubing and polish it for the final bars.

Here's a Doherty front axle spacer in place. What a dream it is to have a kit of varying lengths at my fingertips. Actually, a girl named Bree would fill my dreams more appropriately, if you know what I mean.

Now Imagine the first time I installed the front wheel, wrestling with the slipping front end and frame, the front wheel, the axle and the spacers simultaneously. Fortunately my 11-year-old grandson was on hand with a rubber mallet to assist. For the rear I used a crate to hold the wheel and the approximate height so I could muscle the axle and spacers through to align it with the frame. It was time for a Corona.

Bikernet Warning: When mocking up your ride don't sweat the wheel spacers just yet. Install the wheels as close to center as possible, but keep in mind the slop before you install your fenders only to discover, under final spacing, that the fender is out of whack. Beware

The engine is currently in the hands of S&S for a breast reduction from 103-inch to 93 smooth inches of reliable horse power. I'm waiting on the engine build images to share with you.

Again the Doherty spacer kit made my midnight working conditions shine. It comes with a variety of spacers from over 2 inches to 1/4 inch polished aluminum jobs.

Here's the CCI chain sprocket. I like the old school notion, O-ring chains are reliable and not sloppy, and I like the size that's not an obstacle to view the wheel.

Hold on, I'm slipping the clutch again. Next I mounted the Rev Tech rear wheel with another Avon Venom within the Paughco frame. Unfortunately my Kraft Tech Fender is 9-inches wide and the tire on the 5-inch wide rim runs only 7-inches. I need about an 8-inch wide fender. I'm waiting for the shipment to arrive.

I bolted on the Joker controls and the Custom Chrome kick stand to easy parking if the bikes was removed from the lift.

The stock XR Sportster racing tank in place.

Then I moved onto the tank. I needed to create a couple of bungs for rubber mounting the rear of the tank and tap them for 1/4-20 threads. It was the first time I used our new/old lathe. This is all a new learning experience at the new Bikernet Headquarters. I grabbed a lathe that was rusting in Japanese Jay's backyard. He wasn't using it and I wanted one to cut wheel spacers. I reworked and cleaned the lathe until it was operational then the Doherty crew created a wheel spacer kit? Ah, but the lathe has a myriad of uses, like cutting bungs from a chunk of aluminum. Worked great.

Then I tapped them using the lathe chuck. I discovered that the tank petcock bung needed moving to the rear, since the tank was mounted at an angle. I cut it out with a die grinder and returned to the lathe to machine off the welds.

Here's the new petcock bung hole drilled at the rear of the tank for maximum capacity.

Next I need to learn how to use my new/real old, milling machine. My dad was a machinist most of his life and ultimately an engineer in the oil well industry. As a teenager I worked in machine shops and picked up equipment experience between smoking joints. I swear I learned something.

I'm not going to attempt to weld the tank. Just up the street is a 40-year pro, but I need to have all the parts and pieces ready to weld.

Let's see, what else. I dug through our parts bins and found the exact bracket I needed to mount the Kraft Tech oil bag. I need to cut off the existing coil and oil bag brackets and make a new front mount.

Wait a minute I'm slipping again. I dug through my bracket drawers and pulled a couple of old Jammer brackets 1/4-inch thick. I drilled 1/2-inch holes for the rubber mount grommets from Cyril Huze. I bolted them in place.

I made sure to bevel the holes slightly to prevent a fit with the rubber and insure the steel wouldn't cut the soft material.

Next, I carefully measured the backbone tubing of the frame and figured the dimensions of the tabs and carefully marked and cut them, then beveled the edges for strong welds.

Here's the tabs ready to rock.

I used a level on the frame, ultimately on the front motor mount then on the top of the tank to make sure the tank was level with the frame.

At 1:00 a.m. I turned in, but just before I tacked the tabs to the frame and used my air hose to cool the tabs, so I didn't smoke the rubber sleeves. I discovered in the morning light that the tank wasn't in the center for the frame rail, and it needed to be dropped 1/8-inch in the front.

The next day under a sober sky, I refit the tank, tacked and MIG welded the tabs. Once the Bill Hall, pro-welder, welds my tank bungs in place and the tunnel is capped, I can make the final rear tabs and mount the tank semi-permanently. Is that possible?

I'm not sure about this operation. I drilled several holes in the tunnel for gas to flow in and out. I hope it's cool and enough flow. Any suggestions? I didn't cut the tunnel completely out for structual reasons. It's an aluminum tank on a rigid frame. I don't want it to crack between here and Sturgis.

After positioning the bungs and petcock several times, I decided to run the Petcock back as far as possible for the most gas capacity. Then I positioned the round tab forward enough to clear the petcock.

Next, I will mount the Kraft Tech Oil bag, the rear fender and sprung seat mechanism. I'm also dealing with the rear drive. The frame was set up for belt, but more and more I like the chain notion.

The JIMS machine tranny is set up for 4-speed applications with 6-speed gears. First, I ordered the wrong Custom Chrome tranny plate, then I was twisted about the sprocket vs. belt pulley needed to drive the bastard. I dug through old parts bins until I found gears, since it looked like a gear-driven job. Then the sprocket didn't fit. I'm still trying to figure it out.

I'm going to meet with Jim of JIMS in the next couple of days and get to the bottom of it.

Although the frame is set up for a belt, that means if I run a chain, I'll have plenty of alignment flexibility. Hang on for my next report.

–Bandit

Doherty Machine
1030 Sandretto Dr Unit L
Prescott, AZ 86305
928-541-7744
mailto:Dohertymachine@aol.com

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How do you feel about your computer? I could easily take my old .357 Smith and Wesson revolver and blow this sonuvabitch into the briny harbor Pacific waters. I'd set the smoking gun down, go find a job driving a trash truck, and be able to hang out with the bros and drink beer until my kidneys failed, then you could toss my carcass into the Pacific along with my IMac. Life is nuts.

Ah, but the 5-Ball Factory Racer is coming right along. I hauled it down to Chica's for rear fender fitment, never thinking about the front fender. Should I? Chica makes his own wide ribbed fenders 5 and 6 inches wide. They're available for old tall 16-inch wheels and 18-inch wheels for an easy fitment to the tires. On my way south of Long Beach, California, I swung into Todd's Cycle. He was jammed with work. It's odd in this dour economy to see shops cookin'. Chica also was hustling to fill wheel orders, work on vintage bikes, and rebuild engines. I stopped in another shop on the edge of Long Beach, Richard Graves's car restoration facility. Damn, he does sharp work. He was working on a '50s Ariel square four.

Graves was also jammed with work, so the world ain't all doom and gloom. We just gotta provide a valuable service and be honorable businessmen, and we'll survive, goddamnit. Like Dave Rash, of D&D Exhaust says, “Motorcycles are mechanical Valiums. The world can go to shit, and the brothers take care of their motorcycles.”

I like that notion. Chica marked my fender for stretching since his fender wouldn't wrap about a knockout Black Bike 23-inch wheel with an Avon Tyre. He indicated where the stretching would take place every 4-5 inches with a felt pen, then went to his machine. “You need to stretch it the same amount,” Chica explained, “and stagger the stretching maneuvers to prevent the fender from warping or twisting.”

I asked Chica if his fenders needed additional support where the fender rails would be attached. He pointed out that the extreme contours and the ribs added extra structural strength. But he did recommend two fender straps over the frame cross-member.

The master checking the fitment.

That did it, and Jeremiah and I loaded up the Racer for the return trip to the Bikernet Interplanetary Headquarters deep in the Wilmington ghetto. I started to work on the rear fender installation immediately. I bobbed it about 4 inches, but was grabbed by the rear wheel adjustment designed by Rick Krost of U.S. Choppers and manufactured by Paughco.

Chica with the finished fender.

It's interesting, and I'm still getting the quirky hang of it. It automatically adjusts the ¾-inch axle back and forth, and up and down about ¾ inch. That element makes mounting the rear fender even more interesting. I was forced to don my patience- and-remain-flexible hat. Who knows if it's right, but I tried to work in several fender fluctuation means, so I could adjust it if necessary.

The fender was mounted with a single bolt at the bottom behind the battery case. Then, with the fender spaced evenly from the tire throughout the complete radius, I marked drilling holes for the fender straps. I drilled the holes, and the gods of stainless steel blessed my ass that day with a keen sense of accuracy. The holes and the fender straps lined up. I had to keep an eye on the axle adjustment, or the wheel was cocked right or left in the frame. “Ya gotta watch for the sweet spot,” Rick Krost said. I called him in the middle of the night to quiz him about wheel adjustment and alignment.

I also needed to make a spanner wrench for his axle adjusters. I was in a hurry one night and built a crappy one with some strange punched out flat open-end wrenches. I just heated, bent the tangs, and ground it to fit. It was sloppy, and ultimately, I built another one with brazed ¼-20 bolts to another wrench. It fits much better.

I also attached the Pauchco toolbox strap to the chain side of the bike, since the pipes would interfere on the right. It worked out perfectly for an additional installment point for the chain guard.

I wonder how long this will last on the way to Sturgis?

Click on the banner to reach Chica directly.

Next midnight run in the shop included grappling with mounting the Crime Scene taillight. It's a cool bastard, but I didn't have anything to mount it with. I dug through old boxes of parts, stock license plate rings, mounts, you name it, until I found an old rubber mount for license plate holders. It was already drilled for my three-point mounting taillight triangle. I found a thick license plate backing plate and went to work.

I drilled it to catch two of the Crime Scene holes and held the taillight over the license plate. I thought I had it made. I drilled the fender so the lip of the license plate will hang just slightly over it, for a proper, readable angle. Not sure I was successful. We'll see the first time I'm pulled over for speeding in Wyoming.

The one item I missed was the spacing for the bonaroo cool license plate ring. I'm not sure I didn't drill the holes too far into the plate, but I was thinking about strength and not bling. From that point, I moved to making fender rails. I can't do anything status quo. So I drilled corner holes in the backing plate, machined more brass, cloverleaf stock with 5/16 coarse threads and bent tabs and mounted them to the frame. Sorta crazy, but actually strong.

Evan at Power Plant Motorcycles on Melrose in Hollywood coached me on cutting threads in brass. “You need deep thick threads, so don't cut fine threads in brass,” Evan said. “It's soft.”

He also showed me a trick on his new antique lathe for centering cutting bits, which I'll never forget. I'll demonstrate in another tech in the near future. His shop was also busy, when I last stopped in. He builds vintage bobbers with very cool hand- made components. No CNC billet shit for Evan. Watch for his Chopper Challenge feature bike to show up on the pages of Cycle Source.

We generally use BDL primary systems. They now own GMA brake company.

GMA Caliper and springer bracket on the left.

The guys at BDL helped with a super deal on a GMA front brake caliper, bracket, and hand lever. Unfortunately, they only make a springer bracket for the right side, so I modified for the left and built my linkage. Dealing with a narrow Paughco Springer and a front brake is a challenge to fit everything and center the caliper over the rotor. I still need to machine an axle spacer. I also need to deal with this billet bracket. I'm looking for some super cool art deco piece to bolt up front, like a hood ornament from an old Packard.

Handmade Bikernet front brake linkage. It works–amazing.

I had to deal with the suicide clutch situation. I had a vintage H-D rocker clutch system, minus the linkage and spring. I made the linkage with a spare Paughco toolbox-mounting bracket. Then while digging around, I discovered what I thought was a regulator mounting bracket. It would work perfectly for the regulator and had the space, and holes drilled for a clutch cable bracket. I went to work digging around for the perfect cable guide.

The Paughco bracket precision welded and filed to fit the stock rocker clutch.

Highly effective custom clutch cable guide–we hope.

About this time, the Laughlin River Run surfaced and I rode my King into the desert. Two weeks later, I was called to duty on my Sturgis Shovelhead chopper to ride back into the desert to Cottonwood, Arizona for the Smoke Out. On the way I helped a couple broke down in the desert with a wiring problem. As we tinkered with his rigid Sportster, fulla devil tails welded everywhere like handles on wrought-iron furniture, I noticed his suicide clutch set up and his linkage and it gave me some good notions for a cable pinching system.

Iraqi veteran broke down on his way to the Smoke Out in Cottonwood, Arizona.

Cottonwood show bike.

One pinstriper and not enough women. We peeled out.

The Sturgis Chop at home in the desert outside Prescott Valley.

Between Laughlin and Cottonwood, I finally rolled around to cutting the front of the tanks to make room for fork stops with the Paughco narrow springer. As it stood the springer stops would smack the Factory Racer tanks, and my turning radius was shot. I went to work with a Makita cut- off saw and a plasma cutter to slice a new piece of 14-or 16-gauge steel for the replacement. The tanks were painted and that fucked with my MIG welding. Always clear the paint away from the welding area. The smoke from the heated paint messes with the pure oxygen and gas required for proper penetration. I'll work on that more with the next tank.

I'll bring you more shots of the completed tanks in the next chapter.

I'm getting close to making some final welds, while praying that a TIG welder will wander into my shop. But first, I needed to drop in the Baker N1 drum for 5-speeds. This is the simplest modification on earth. It's so easy even I could do it, amazing. These N1 drums… well I'll let Trish Horstman and James Simonelli tell you the facts:

This is the 5-Speed Baker N-1 drum for jockey-shift nuts or racing applications like the Bikernet Assalt Weapan.

Five years ago we developed the N1 drum for drag racers and street racerswho used our 6-speed overdrive. The N1 shift pattern (Neutral-1-2-3-4-5-6) wasdesigned to prevent false neutrals during aggressive 1-2 upshifts by positioningneutral under 1st.

The jockey shift/foot clutch crowd soon discovered the benefitsof the N1 pattern. The big lever ratio of a jockey shift lever desensitizes the feelof the detents in the transmission such that finding neutral is a crapshoot withbad odds. With neutral on bottom (or all the way forward), the jockey shifter canmindlessly tap all the way down to neutral thus allowing him to put both feet onthe ground as he rolls up to the stop light.

Here's the 6-Speed Baker N-1 drum.

Today, a whole new crowd is realizing the benefits of the N1 pattern. Pingel’selectric shifter is slicker-than-snot and appeals to racers as well as those withrestricted movement in their left foot and left hand. Utilizing an N1 drum inconjunction with Pingel’s electric shifter makes finding neutral (with the solenoid)seamless, and yields a solenoid-actuated shift system that almost makes footshifting obsolete.

Here's the JIMS stock drum still in place.

PN DESCRIPTION FITMENT
5-6QT-A N1 drum & pillow block assembly, 6-speed BAKER 6-spd overdrive except*
5-6QT-A1 N1 drum & pillow block assembly, 6-speed *Old 6-into-4 (S&S case) &Frankentranny
124-OD6RN1-A N1 drum & pillow block assembly, 6-speed RSD right-side Drive 6-speed, 2ndgeneration
124-DD6N1 N1 drum & pillow block assembly, DD6 DD6, all
2-5R-N1 N1 drum & pillow block assembly, 5-speed Single pole neutral switch 5-spds
2-5RL-N1 N1 drum & pillow block assembly, 5-speed Double pole neutral switch 5-spds

Here's the N1 next to the stock drum.

FEATURES/NOTES:
– N1 shift system option available at no additional cost with purchase of a complete transmissionor builder’s kit
– 5-speed N1 shift systems fit H-D 5-speeds and BAKER 5-speeds
– For aggressive shifting we also recommend the use of our anti-overshift ratchet pawl, PN555-56A for 5-speeds through 1999 and 555-56L for 5-speeds 2000-up. For example, this pawlmechanically prevents an unintended 1-3 up shift during an intended 1-2 upshift

Okay, so I popped off the ¼-20 Allens off the top of the tranny cap. Since, within five fasteners there were three sizes, I placed them neatly in the battery pan to prevent mixing up the formula. The lid came right off.

Then the four 7/16 hex heads need to be removed and the drum and pillow blocks came off as a single unit. Don't forget to lift the shifting arm, and keep it up when you replace the drum.

Shifting forks missing their drum.

It might feel slightly snug to remove since there are guide inserts pressed into the case to hold the drum perfectly aligned. I studied the drum as I removed it and set it in exactly the same position on the bench to insure I put the new N1 drum back exactly the same way.

Shifting hook back in place.

I told myself the old mechanic's rule as I replaced the drum and aligned the shifting forks: Don't force anything, jackass. I carefully aligned the shifting forks, then made sure the pillow blocks fit comfortable over the inserts before rolling the fasteners back into place and torquing them to 130 inch pound of torque or 10.8 foot pounds.

High security at the Bikernet Headquarters–that's Cash.

I smeared a dab of tranny oil on the lip of the transmission lid and slipped it into place, then tightened the fasteners to 130-inch pounds of torque. Oh, I forgot. I replaced the standard vent with something brass, mechanical, and vintage. What the hell. I'm going for that vintage appearance.

The new Bandit's Cantina, outside Salome, Arizona. Whatta ya tink?

That's it for this installment. Next, I will install an Exile sprotor rear brake and 48-tooth sprocket. I'll finish all my welds, strip her down, and head to powder coating and paint. I have the color scheme down. It's going to be wild. I've also promised not to hit any more events between now and Sturgis for maximum shop time. We'll see if I run out of whiskey and women or not. Hang on.

All new, lavish Bikernet Desert Headquarters in 74 Palms, California. Don't tell the Chop N Grind gang. We're moving into their territory.

Speaking of Chop N Grind Racing team, they're on the outside. Dr. Hamster in the center.