Hey, here’s quick bit on George The Wild Brush who handled the Pin Striping on the 2005 Sturgis Shovel project. He’s pin striped several other bikes for me in his 47 years behind the brush. Born in Hanford, California, a miserable military town, in 1944, he kicked tumbleweed while his mom worked on a base.

She moved to the safety of Southern California away from the miserable summer central Califa heat, to Long Beach then Lakewood (next door) where he went to school, but didn’t graduate.

He was warned that the fad would die so his vocation would fail. “The fad’s still rockin’,” George said. “My first car was a ’54 ford and I custom painted the driver’s side. I couldn’t afford enough paint to finish the passenger side, so I had the only cool side.”

He studied Von Dutch work, Larry Watson and George Barris. “I’ve striped refrigerators, toilet seats (new ones), and 50 and 110 Tom Gentry trans Atlantic ocean racing boats. He’s taught me a thing or two about striping. “It’s best to have the parts off the bike for the best quality art.”

It’s difficult to paint bare aluminum—“Paint won’t bond to it.” without a primer.” I worked at Gasoline alley for 15 years painting aluminum dragster bodies.

It’s also difficult to pin strip chrome—“It won’t hold up due to the lack of porosity.”

He only uses One-Shot enamel paints—“Can’t use any paint.”

With motorcycles it’s a good idea to clear over striping—“People don’t pour gasoline all over cars, but they do bikes.”

Cars don’t generally need to be cleared over striping work.

His number is (310) 488-5488 for classic pin striping and good stories.

George came to the shop just after I picked up the clear powdered aluminum sheet metal from Foremost Powder. He usually tells me what I’m going to have striped. I have a vote and initial color selection, then I best get out of the masters way.

He striped the Goodsen Air Cleaner, which was treated to my holy treatment, then brushed with Scotchbrite to remove the polished appearance.

Then he striped the panel polished, highly-modified, XR750, Cyril Huze donated tank and Lucky Devil, custom made fenders. I polished the panels and brushed the rest for a two-tone effect. Not sure it worked, but George gave it a final touch.

George suggested the 5-ball addition to the center of the tank. Not the gas cap. Ultimately I filled the center-mounting hole with a small 5-Ball to commemorate our company and all the women who put up with my shit over the years. In case you don’t know the story, I’ve been married five times, that’s five misses Ball.

This is strange. I’m writing several Sturgis Chop Techs after I returned from Sturgis. I’ll try to remedy that in the future, but we were so damn busy trying to complete the bike and run Bikernet, we didn’t keep up on the techs. Many apologies.

This piece covers the installation of the hot Speedster cap from Crime Scene Choppers in the modified stock XR 750 factory tank. Later, you’ll discover, that this highly modified, strengthened and extra rubber mounted beast was my Sturgis nemesis. But more on that later.

We added rubber-mounted bungs to the back of the tank. I moved the petcock to the rear and filled the center for a 2.76-gallon gas capacity before it hit reserve. I doubt that it contained more than a quarter tank of reserve, so I’ll toss it a 3-gallon total gas capacity.

Oh, I need to thank Cyril Huze, who designs beautiful steel tanks for the opportunity to experience an aluminum tank once more. He suggested this classic for the Sturgis effort.

I’m not holding it against Cyril. He’s a master and I’m the bungler for attempting aluminum on a 93-inch rigid S&S hot rod. As you’ll see the vibration aspects came from several sources that I could have remedied. It’s all just a roll of the dice.

When I received the Speedster cap I drug the cap and tank down the street, about three doors, to Bill Hall’s Welding. He handles my aluminum welding, since I don’t have a TIG welding system. I’ve got the rest, but not TIG. I would highly suggest a TIG system for quality welding capacity and good looking welds. It’s much like welding with a torch, so you’re certain of the bead and depth of penetration.

Bill’s a retired designer who enjoys welding and fuckin’ with his customers. “How are you going to drill the hole for the bung,” he asked?

I was thinking about die-grinders and files. I knew it would make a mess. Bill hooked me up with a 3-inch hole saw. He suggested that we hit a marine store for a tapered dowel pin (used for plugging holes in the leaking hulls).

The key was to drill a perfectly centered ¼-inch hole to maintain a center approach to the cap bunghole. I drilled it and then ran the tapered wood dowel into the tank.

Then we set the tank on a pad on the drill press platform and lined up the hole saw. I used plenty of cutting oil on the edge of the blade and aluminum face to prevent the tank from snagging or catching. I knew how tender the surface of the tank was. We oiled the hole in the tapered wooden plug and carefully went to work. Bill’s formula worked like a charm.

Next, we needed a tool to hold the Crime Scene Speedster bung in place. I grabbed a piece of strap, drilled a hole or two and mounted it with the supplied hardware, which was brass. You can order the cap with several styles of fasteners for your application.

It was off to Bill’s for welding. While the gaping 3-inch hole was available I could have made a tapping tool and tapped out any imperfections in the tank walls. I dinged it way back in the beginning and never got around to fixing it. I left her be, as if it was the first injury and she needed to stay. I know it’s one of those wild superstitions.

Okay, so during the “read the directions” phase, I noticed the bit about a non-vented tank. I would need to drill a tiny, cunt-hair hole in the cap of the tank. I discovered that I actually had such a tiny fuckin’ drill and dug it out. I had to find a chuck that pinched down to that size. Then I had a wise ass notion to drill the initial hole about 1/8 inch in diameter, since drilling with hair-thin bits causes easy drill bit breaks. The thinner the surface the better.

So, I initially drilled the inside of the cap with a 1/8-inch drill and drilled right through—Bummer. Ultimately I tapped the cap with a 10-32 then drilled the stainless Allen stud with the tiny drill bit. Then I screwed the stud into place and the job was finished.

After Bill welded the bung into place it was my job to grind the welds down and ship the tank to Foremost Powder for a clear coat. I hit the big spots with a grinding tool. I tried my damnest to take only meat off the welds and not off the surrounding tanks surface.

Next I used small emery discs to carve at the aluminum bead. I also smoothed some of the welds on the front of the tank where we filled the tunnel for additional gas capacity.

This shows the different grinding phases to reach a level that’s still strong with weld bead but handsome enough to live with. This was an interesting effort, since no bondo or thick urethane would be applied, covering a myriad of mistakes. This was the final stage before clear powder from Foremost in Gardenia, California.

After this stage I polished the panels of the tank and hauled it off to the powder masters. There’s one other process I need to explain. I made every effort to clean the tank of debris and shavings. I also made sure to run a gas filter. I still had problems, which I will explain in my Sturgis Saga. They were easily remedied through Lee Chaffin at Mikuni. Just needed to dial the right number.

This shot was taken after powder and pin striping when I installed the gasket, decided which direction I wanted the cap to face and screwed the brass fasteners down. The cap worked flawlessly all the way to the Black Hills.

Brembo has a solid worldwide reputation, and I ran into a hot looking Brembo representative at an illustrious bike function and decide I’d give them a try. They’re hot and ready to rock. The only items I needed were the locking nuts for the back of the rotors bolts and the springer axle spacer. This set-up was designed for a stock springer replacement.

Because of the wild, light, taper-legged Paughco Springer my hiem joint link wasn’t long enough and I bastardized two fine bolts together temporarily. At that point I wasn’t considering a front fender. There are two aspects of chopperdom that I have a tough time working around. Bikes need front fenders and brakes. Can’t ride ‘em much without those two bastards. Even in the old days I ran front fenders, Avon Tyres and front brakes.

Chris Kallas came over at just the right moment. He’s as old at riding as I am and an artist. We’ve featured his work in special reports. He knows his bike shit and I’ve been trying to convince him to see Jim Murillo about a job. Jim has a paint shop in Torrance, but he’s not the graphics guy, Chris is.

As usual, about the time I think it’s going to be easy, the devil pops up on my shoulder. Kent, from Lucky Devil Metal Works in Houston called, “What are you going to do about a front fender,” he said? “Yeah, that’s what I thought. I’ll send you some shots of my springer front fenders.” He hung up and Chris looked at me sorta strange.

”Who the hell was that,” he said?

”Never mind,” I said flipping my computer on. Kent developed a system of mounting springer front fenders that’s clean as a whistle and odd as only the devil would make it. An engineer wrote Bikernet when I first featured his wild notion and chewed us out. “That idea’s not worth the powder the blow it to hell,” he shouted.

At first I thought he was correct, but the more I considered it, the more I determined that he was wrong. The caliper follows the line of the rotor, so the fender will follow the circumference of the Avon tire. Of course when I stepped into the ring to create a similar configuration I couldn’t do it like the Devil does. The Brembo caliper runs too far ahead of the rotor to mount the fender so we ran carefully designed struts off the brake linkage. Chris drew up the plan, then bent struts out of coat hanger for a guide.

We constantly tried fitment again and again before tacking them into place. I wouldn’t recommend this configuration to anyone. If you run struts off the caliper they’re solid. The heim joints allow the fender to fluctuate, especially side to side. I had to find a concave washer that would allow the heim joints to work up and down but not side to side.

Chris bent each rail to match in pure artistic form. Then I tacked them.

Kent built the front fender with threaded aluminum bungs underneath. I figured out some slender spacers to fit on top of the fender and tacked the rails to them. I must have welded them a dozen times trying to grab just enough rail, weld and spacer to prevent cracks.

There you have it. It’s wild, but will it last to the Badlands?

–Bandit

We were fortunate to hook up with Heather New, of New-Line Engraving several years ago. Since I was about to switch out my CrazyHorse engine ignition with a Blackhawk Motorworks cone cover I needed to come up with a classic point cover for the new unit and the 5-Ball Factory Racer. It was a natural choice to send her a chunk of aluminum, or I shoulda sent a piece of brass, but oh well. Either way I knew she would bring the project to life.

Heather started engraving in a small shop in downtown Edmonton in the Early 80’s, where she took care of over 100 jewelry stores. “I was engraving everything from I.D. bracelets to wine goblets to pocket watches, and more,” said the raving redhead, “items which other engravers said could not be done, I soon learned to do!!! This was when I first met Frank.”

Frank Gurney was (and still is) the best Hand-Engraver in Canada. “He is a true artist and craftsman, and along with the Alberta Apprenticeship Program, arranged for me to be his understudy,” Heather said. “I was thrilled!!! I learned so much from Frank in those years, confidence, trouble-shooting, and above all HUMOR!!!! We spent hours working and laughing (hoy-deedle-doy!!). He taught me so many things before he eventually retired out near Victoria, B.C.”

She then moved on to the largest Jewelry stores in Canada. “I was doing all of their machine engraving, as well as custom wedding bands, and one-of-a-kind jewelry pieces,” Heather said. “They treated me like gold, and I will always be thankful for the kindness I experienced there. I relocated near Calgary, Alberta, and began working for a gigantic company with more talent than I had ever seen gathered in one place. I naturally did the engraving there, and also moved on to operating CNC machines, and hand-carving moulds used in casting.” She became a programmer, writing the programs, which would later be used by the CNC machines to cut the actual moulds.

She started New-Line Engraving in the summer of 2005. “I hand-carved an inspection cover for my good buddy ‘Chicken’ and with her over-whelming encouragement, (she cried when she saw it) I decided to branch out into custom bike carving too (after all, a derby cover is just like a signet ring, only BIGGER.”

So here’s how the short, two-week process rolled:

Cover the piece in white water-soluble paint, and transfer the artwork onto the surface

I highlight the general outline, scratching the paint leaves a more permanent mark than pencil, and you don’t rub it off as you work!

For removing large areas you can try a dermal, but they tend to vibrate too much for any fine work…I used small gravers hooked into a pin-vice to cut in between the letters,
as this cover was done mostly under a microscope.

I also use fine sandpaper, jeweler’s files, and burnishers to “round-off” curves (as seen on her legs), and give some dimension to whatever artwork you are dealing with…
Details like hair, the features in the face, and fine shading are all done with fine gravers and files.

I then add an aluminum-oxidizing agent, which blackens the entire piece. When it is re-polished, the highest surfaces will become shiny again, while the black remains in all the nooks and crannies of the background. (I only do this by hand—a buffing machine can remove hours of work in a heartbeat!!)

“If anyone out there in Cyberspace wants to give it a whirl, I am always here with support and tips,” said Heather

Sources:

NewLine Engraving: http://www.new-lineengraving.com/

Blackhawk Motorworks:
http://www.blackhawkmotorworks.com/

Compu-Fire Ignitions: http://www.compufire.com/

Custom Chrome:

S&S:

What hit the American Motorcycle industry like straight pipes and tire sizzling burn-outs, at 4 in the morning? Television, in the form of Motorcycle Mania one and two. The introduction of chopper building skills and rebel attitude, unleashed broadband, to citizens all over the country, rocked the biker world. Then chopper heaven in the form of Biker Build-offs struck with round two. Who was responsible for this Tsunami boon to our lifestyle? It was Hugh King, the producer/director/writer and editor at large of Original Productions.

Hugh felt the crisp freedom and wild wanton wickedness of the chopper industry in 1947 as a Milwaukee youngster, with his nose pressed against his living room window. An older neighborhood wildman, Billy Brody, screamed down the street on a bobbed ’46 Indian Chief. He tore across his folk’s lawn and slid to a stop on the front porch ignoring the driveway and garage alongside the house. That scene, on the Oak shrouded street, was emblazoned in Hugh’s expanding creative mind for years to come. In fact he added a wild black and white scene of a biker burning into a bar, to his documentary resume while living off grants and making social action films.

Through the reams of vast, rough-shot, motorcycle footage he learned the Harley biker industry, from event coverage, to land speed record attempts. Hired by Original Productions he produced reality shows. Then one fateful day, while warm California rays graced his small Original Productions, office, Tom Beers, his boss, wandered in.

“Discovery Channel called,” he said. “They want a feature on the custom motorcycle industry. You’ve experienced the motorcycle world. It’s your assignment.” Since the offices were located in Burbank, California, Hugh investigated valley shops and called motorcycle mag editors. A mystery connection was made, and an old crocked finger pointed toward West Coast Choppers. “And the rest is history,” Hugh said.

By Motorcycle Mania two, Jesse became a star. “Viewers wanted to talk to him,” Hugh said of growing audience. “We filmed it for the average Joe and sensed immediately that people wanted to reach out and touch tools. There was a deep longing for the ability to make something out of nothing.”

Jesse smacked a cord in young American viewers with a ballpeen hammer against a flat sheet of aluminum. Fans witnessed pure raw alloy shaped into sleek gas tanks. “The footage of metal being annealed was graphically inspiring,” Hugh said. At that stage he was the producer, director, writer and editor (Tom Beers was the executive producer).

Discovery was rocked and wanted more, so Hugh directed the first four Monster Garage segments, then kicked off the Build-Off series.

Life kicked into high gear for Hugh and again Original Productions was approached by Discovery Channel to make Motorcycle Mania III or “Jesse James Rides Again” starring Jesse James and featuring his buddy, Kid Rock. Jesse worked with wheelwright, Fay Butler, in Massachusetts to learn the intricacies of copper fabricating. Fay manipulates old yoders like an artist’s brush shaping copper. Yoders were used in WWII to fashion sheets of metal for fighter fuselages and wings. Jesse and Fay worked together to shape the copper chopper gas tank.

The MMIII film endeavor raised the bar for Hugh. “I had the opportunity to work with high def film and top quality camera equipment,” he said. “We got to use the highest standard automobile commercial equipment like a Shot Maker and Chapman cranes for dramatic rolling angles.” His life hit overdrive as he filmed the building of the Copper Chopper for Jesse, American Bad Ass Chopper for Kid Rock, and they hit it to Mexico. “Nothing went according to plan,” Hugh said. “We changed the itinerary constantly. The people of Mexico were terrific as we shot from El Paso, Texas and Juarez, Mexico, in 125 degrees, through 350 miles due south to Chihuahua.”

Hugh filmed spectacular footage of the two riders passing smoldering sand dunes, sweeping vistas and lumbering Iguanas crossing the rugged roads toward Copper Canyon.

Having the time of their lives they rode south to Chihuahua, a growing city, and searched through the old market place. Riding west they climbed 6,000 feet to Copper Canyon, in the middle of the Sierra Madres, which is six times longer than the Grand Canyon. They slept in a small village on the lip of the gorge, in a town of 65.

Jesse and the Kid accomplished their goal of escaping fame and fortune as they continued West toward the coast over torturous curved roads through blinding lightening storms and over a territory where the only vocation is hijacking. “We slept in the camera van,” Hugh said, “since there was no place to stay, until we reached the white sand beach on the Sea of Cortez. It was a transcendental experience.”

Motorcycle Mania III will experience limited theatrical release later this year, followed by Discovery Channel airing. Hugh has a year and a half invested in the film while directing Biker Build-offs with Billy Lane, Dave Perewitz, Roger Borget, Paul Yaffe, Indian Larry and currently with Yank Young, Chica, Eddie Trotta, Russ Mitchell, Arlen and Cory Ness. “Choppers have turned my life upside down,” Hugh said. Although the family man doesn’t own a bike, he rides constantly. “I’ll jump anything the builders let me straddle,” Hugh said. You can see the motorcycle mania fever boiling in his gaze.

What’s the future hold for Hugh King? The Biker Build Off series is rockin’ through another chrome and flamed season and even hotter segments are headed for next year. “We kicked off the series with Billy Lane and Roger Borget,” Hugh said. “Initially it was intended as an elimination competition, but no builder can manufacture one ass-kickin’ bike after another, every 30 days. We currently pick builders by regions and diverse styles.” In 2005 he hopes to throw a massive live finale in Las Vegas and take the bike voting interactive.

At 65, Hugh ramped into an all-time high with custom bikes. He’s riding it for all it’s worth and the entire industry benefits.

HUGH KING SIDEBAR:

THE LAUGHLIN BUILD-OFF– On April 20th ten of the world’s greatest bike builders thundered into Laughlin, Nevada. For 72 hours in a secret desert shop they worked non stop to create BBO X, a one-off 124 cubic inch, rigid, right side drive, black and chrome, spear-like chopper. Then they presented it to Hugh King, producer of Discovery’s Great Biker Build Off. The geniuses who came together to make this awesome steed were Arlen Ness, Cory Ness, Russell Mitchell, Eddie Trotta, Mitch Bergeron, Kendall Johnson, Matt Hotch, Joe Martin, Chica and Hank Young.

Chica hand fabricated the gas tank. Hank Young made the oil tank. Kendall Johnson was responsible for assembling and tweaking the 124 cc. S&S motor and the Baker 6 speed transmission, Mitch Bergeron was responsible for the frame and the billet down tube (in which was cut in the Roman Numeral X and the Discovery planet), Matt Hotch fabricated the fenders, Joe Martin built the pipes and did the pin striping, Russell Mitchell and Eddie Trotta built the front end and Arlen Ness and Cory Ness were responsible for the paint and the overall supervision of the project.

A special guest appearance was made by legendary seat maker, Danny Gray who fabricated a black leather seat with a zebra stripped manta ray inset.

On Saturday night, April 24th, before thousands at the Laughlin River Run, BBO X was unveiled and formally presented to Hugh King.

Each of the ten builders had competed in Bike Build Off before. Their ten bikes were on display at the Discovery both where the people voted on which motorcycle they thought was best in show.

Matt Hotch’s low slung, blue beach cruiser took the prize. Watch every Monday night for a new Build-Off on Discovery.

Here we go. I’m relunctantly behind the eight ball, or more likely the 5-Ball in this case. The bike is nearly complete and I haven't caught up with the articles. For the most part I was working at Primedia on the bike mags and didn’t have time to breath. No fucking lame excuses. Let’s hit it.

My original plan called for brass sculptures to hang this bastard together in a purely Bandit way. I messed with some odd heavy brass cloverleaf rod that was over a ½ inch in diameter. I wasn’t having my usual creative luck with bending or messing with this material. Kent from Lucky Devil Metal Works in Houston recommended that I use silicone Bronze rod and I’ve since messed with it. I shifted gears from Gargoyles and sculptures to pure mechanics. I started drilling holes is everything.

I discovered a piece of ½-inch wide strap that I thought was copper. Remember that the notion behind this mess is to use as much bare metal as possible. As it turned out the strap was brass so I gave it the Scotch Brite treatment and went to work. Before I made or positioned the rear Custom Chrome chain I needed to align the wheel, the transmission and the engine. I used my BDL inner primary and pulled the loose engine and tranny into position. Then I centered my chain axle adjuster and installed the chain using the CCI instructions (above). I have an old chain breaking tool, so I took out just enough links.

With the chain in place, aligned and adjusted the wheel using the Doherty wheel spacer kit (a life saver). I couldn't mess with the requisite chain guard until all was in the correct groove. Although the Paughco custom frame is designed for a belt, I choose the old school route and it worked out well. Lots of extra space to mess with.

I dug through my drawers of tabs and crap that I’ve had around for 25 years. In the old days Mil Blair would call me from Jammer from time to time and tell me when it was time to shit-can scrap iron. I picked up tabs, spacers and brackets by the fist full and I’ve been moving them from place to place ever since. But damn, when you need a tab it’s bitchin to find just the right size in a drawer. Since I was going nuts with the drilling treatment, I matched the work on the frame with holes in the chain guard and counter sunk the edges for a more rounded look.

I also hit the top motor mount with a similar treatment. To give it a bit of consistency I measured from center to center on the holes and made all the holes the same diameter, 1/4-inch.

The hole deal became an obsession. I started drilling ¼-inch holes in everything including the Joker machine foot controls. I also went after Russell Mitchell’s Scotch Brite code. I swallowed hard and rubbed a piece of chrome with the coarse material and discovered that chrome reflects everything until it’s brushed with the wiry fabric. It gave it a raw material appearance and I decided that it was cool but a pain in the ass to do.

Again, I drilled the holes the same space apart, ¾ of an inch. It’s not always that easy, though. Sometimes the formula just doesn’t work. I use a pair of calipers to hold and mark the distance from hole center to center. If a hole ends up being located too close to an edge of the material, I back off and try another formula. Make sure to plan before you start drilling.

Here’s that damn brass stock. I was determined to have Brass, Copper, Stainless, Aluminum and a bare metal effect on the frame. You’ll see shortly how it worked out. I couldn’t bend that brass shit without destroying it, so I made the shift linkage out of it. I cut it off on a bench lathe and drilled and tapped the ends to 5/16 fine threads to fit the fine thread heim joints. Then I drilled the rod and countersunk the holes to remove the sharp edge.

Here’s one of the Joker Machine control sets, rubbed with Scotch Brite and drilled. They make fine controls, some of the best. You can adjust these puppies anyway you choose to fit your riding position, inseam or foot angle.

Before I leave this chapter I’ll touch on this new petcock from Spyke. It’s incredible, if it works well. It’s designed to give you every option for positioning and spigot direction. I ran into only one problem. No wrench lands to help tighten the bastard.

Check it out. You can run it faced in any direction and still read the switch locations and turn the knob without a lever smacking the frame and components. The spigot set allows builders to face the gas line in any direction.

I used the straight spigot and took off one of the fittings because my tank threads are female. The only problem I had was tightening it down, but I’ll get to that after the powder coating returns from Foremost Powder in Gardenia, California.

This puppy will revolutionize the industry for petcocks, if it works. I’ll let you know in a week or two.

Ride Forever,

–Bandit

My first move began with a correction. I removed the exhaust pipe tab welded to the oil bag. The oilcan is rubber mounted, the exhaust pipe generated severe heat and the pipe system needs to be solidly mounted. It had to go. Actually Kent from Lucky Devil Metal Works in Houston tried not to mention the false move, but his frown gave it away. Or was it that question? “Is your rear pipe really mounted to the fuckin’ oil bag,” Kent said tentatively?

I discovered that the pipe exits the head close to the seat post and worked on a pipe connection there. There are a couple of rules in making pipes that I need to abide by. I needed to remove the pipe once in awhile, so I needed the pipe tab to be on the outside of the frame tab. Often mounting required slack, so I dug around for 1/16-inch washers to run between the tabs. That way when the fasteners are removed there’s some slack to pull the pipe free.

I worked with the pipe fully in place then tacked the seat post tab. Below is the tab tacked to the pipe. Then the tab welded in my shitty MIG welding fashion. I should slow down and clean the base metals more. I generally grind a bevel into the tabs for greater weld penetration. The welds are strong, just not handsome.

Next I needed to attach the Lucky Devil rear fender, align the rear wheel and cut the chain to fit. But first I needed to center the wheel in the frame, sorta. The custom Paughco frame is designed and manufactured to hold a belt pulley and a 180 Avon Tyre. That prevented me from measuring between the frame rails. I needed a straight line down the center of the frame backbone. It’s not incredibly accurate but close to draw a fabic or nylon line down the tube. Then with Doherty space kit and the seal spacers that came with the Custom Chrome aluminum and stainless spoke wheels, plus the Brembo brake caliper bracket, I aligned the wheel.

Before I cut the Rev Tech chain I installed the BDL Belt inner primary and pulled the engine and transmission into place which determined exact spacing. I know I covered this aspect somewhat a couple of chapters ago. There’s been some heavy drinking in the meantime, so if I lose track, it’s on Jack.

I centered the wheel in the chain adjustment slot to give me slack either way. Then I finally cut the chain with a JIMS tool.

I spoke to a couple of guys about sprockets and was told that this contraption will hold a sprocket nut from coming loose better than simply Allen screws in the Custom Chrome sprocket. I may use it or not. Haven’t decided yet.

The reason this is altered is that it’s for a pulley and a different era. Add that to the fact that I flopped the dished sprocket over to space the chain away from the tire. That aspect worked perfectly.

I decided that since the tank was rubber mounted and aluminum won’t flex as well as steel that I would attempt to rubber mount aspects of rear Luck Devil fender. Kent designed and handmade the fenders to match aspects of the XR 750 tank.

Cyril Huze sent me several grommets to work from and this pair are from some late model Sportster application. I measured the O.D. on the center portion and discovered that I needed ½-inch holes in the fender which I drilled after I had mocked up the fender in place, ground a clearance strip for the chain and stood back several times. Arlen Ness once told me that he used a chain wrapped over a tire to space a fender. I needed enough space for fasteners under the fender and some chain adjustment slack either way.

I moved the fender up and back, and side-to-side several times before making any hole-drilling marks. I was a nervous wreck. Ya don’t mess with the Devil’s fender. I finally drilled a half-inch hole, and smoothed the edges, in the bottom of the fender then at the crossover tube. I worked in the rubber with a dab of oil and bolted the bottom stainless bolt in place.

The Sportster grommets have metal inserts, which make them easier to install. With a couple of spacers in place the fastener held the center tab for tacking.

Here’s where it got tricky. I’ve been bending metal with a torch for years. Never improved my technique. Just the other day, a month after I built this fender rail system, I bought a small strap or tube-bending tool. Wish I had it when I went after this project.

First I built the fender strap out of a piece of exhaust pipe bracket. It came with two 3/8-inch coarse tapped inserts in each end. My plan was to build a fender rail system with tubing so I could adapt a couple of running lights on the tips. I carefully bent and drilled the strap and fender.

Then I bent the tubing fender rails to fit over the chain and tacked tab to the Paughco frame. One item I often attempt to use is a level. I’ll level the frame from side to side, then strive to keep all the other elements level. It helps.

Here’s a perfect example. As I finished my welding chores, I got on a roll. I thought– wouldn’t it be cool to weld the fender bolts in place from the bottom. They would never come loose. Note the angle. There was no way they would ever return through their mounting locations. I was forced to grind them off and clean the holes.

Here’s the finished fender rail system. I drilled holes in the frame and the rails to run wires. I still haven’t found the perfect running light style that rocks my boat and will afford me enough room to use the proper fasteners. Hang on!

Not sure why this shot’s here? Okay, I have this thing for drilling holes. Yeah, so what?